Lynne Merchant

I attended California College of Arts and Crafts with the intention of becoming a painter. While there, I learned that in order to execute my ideas I needed to work three dimensionally. Alexander Calder was an important early influence. I was deeply moved by what I observed as the humor, primitive innocence, sophistication and relentless curiosity inherent in his work. I was inspired to commence a journey of my own when the opportunity presented itself, guided by my immense curiosity.

In 1971, I embarked on a seven-year sojourn that took me first to Africa and Yemen then overland through Persia, Afghanistan, India and Nepal. I became extremely excited and curious about tribal jewelry; how it moved, how it danced on the body. It was at this time that I made the decision to learn these jewelry techniques. I started by immersing myself in the local culture and dress. I demonstrated respect for their way of life, and it made all the difference. I was allowed to hunker down with the tinkers, artisans and Babas I met along the way; observing and learning their use of simple tools and cold joinery. During those years in the 1970's my jewelry studio consisted of a small leather pouch containing four hand tools and a five inch hammer given to me by an old Afghan who befriended me during this life-changing experience.

My work remains very personal. I still utilize simple tools and techniques. I want my jewelry to have proper movement, to be strong, wearable, and interesting. I like to understand the genesis of the objects I am working with, so that I can authentically honor them in my work. I have, for 20 years, taught these ancient jewelry techniques while adding my own imaginative interpretations gleaned from the creative force in my life. I continue to share the evolution of my personal journey.